![]() After the incident his work became more introspective and symbols such as a prophetic cyclops eye are common. In doing so, he gained a reputation amongst the Surrealists as seer, also believing himself to be one. Ideas associated with prophecy become more dominant in Brauner's work after 1938 when he appeared to correctly predict the loss of one of his eyes in a fight (eyes had been a reoccurring theme in much of his early work).The personal nature of these emblems, however, makes it difficult for the viewer to interpret them with any great degree of precision. He used these representations as a vehicle to present his own emotions and interactions, claiming that his work was predominantly autobiographical. Known for his eclectic use of imagery, Brauner developed a very individual visual lexicon, incorporating signs and symbols from a diverse range of sources including religion and mysticism into his work.The exhibition is scheduled to run until the October 16, so unless you happen to be a descendent of the Tokugawa clan, don’t miss this chance to see this darkly intriguing display of samurai history.Īddress: Mie-ken, Kuwana-shi, Kyomachi 37-1Īdmission: 500 yen (US$4. However, some of the swords that are part of the exhibition have, indeed, drawn blood at some point in their past, according to the museum. While this piece may look bloodstained, the coloring of the blade actually comes from a preservative lacquer that it’s been coated with. ![]() Over 20 Muramasa blades are on display, on loan from collections across Japan, as well as weapons produced by the famous swordsmith’s apprentices. Thankfully, the protective glass of the museum’s showcases seem to be as effective in keeping such dark forces away from visitors as they are in protecting the swords from damaging heat, dust, or humidity. ![]() Legends began to circulate that Muramasa ’s swords were cursed, and would fill their owners’ with unrelenting bloodlust. Ieyasu himself was even injured by a Muramasa-made weapon, and having had enough tragedy come to his family via one craftsman, banned the possession of Muramasa swords.īecause of this, Muramasa blades became extremely rare, despite having been in wide circulation until that point in history. Ieyasu’s grandfather and father were both killed by Muramasa katana, and one of the swordsmith’ s blades was used in the ritual suicide of his eldest son. However, Muramasa may have been a little too good at his job, which eventually drew the ire of Tokugawa Ieyasu, the first shogun of the dynasty that brought Japan’s centuries of civil war to a close and ruled the country for roughly 300 years. While many of his celebrated contemporaries were doing all they could to make their swords look their best, Muramasa spent his days hammering at the metal in his workshop with the singular purpose of making weapons that could kill their target. ![]() However, that’s not something you can say about the swords forged by Muramasa Sengo, an amazing collection of which are now on display as part of a special exhibition being held by the Kuwana Museum in Mie Prefecture. As symbols of prestige and power, many of Japan’s most treasured blades were made specifically to serve as family heirlooms or as ceremonial objects kept at Shinto shrines. However, some katana look like works of visual art because that’s precisely what they were designed to be. Japanese swords are strikingly beautiful, conveying a set of deep cultural traditions and aesthetic values. Don’t forget to purify your soul before heading to this museum’s display of samurai swords that were designed to do just one thing: kill. ![]()
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